Photography outsourcing: Why you should go for it !

Photographers, generally gets uneasy when they hear the word “outsourcing”. Noway you would want to ruin your concept of the image by letting anyone do the post production. I mean how could you be a photographer and outsource your work, is it even your work anymore? How can anyone else implement the vision you had while taking the shot? 

We think the concept to outsource photo editing is one that is very hard for most photographers to tell themselves that it is the right choice, but we’re here to tell you, that at a certain point in your career, it most certainly is the right choice.

If you’ve ever read the E-Myth (and if you haven’t go pick it up now!) it talks about how the death of a business is when the technician is always in control, that you need the manager and entrepreneur to play equal roles. When you, the photographer, spend all your time sitting at a computer editing your sessions, the technician is in control and consumes the time you could be doing management or entrepreneur work.

The time would be much better spent putting your face out in the public, booking more clients, shooting additional sessions, or collaborating with other members of your community. Your time has value, and there comes a point that you are actually holding your business back by doing that type of work. There will become a point when your time holds a much higher value than the cost of paying to have your edits done by somebody else, you will in fact be saving your business money!


So when is a good time to consider it?

  1.  You need to know your style.

    You need to have it nailed because if you’re going to be outsourcing that job, you need to be able to tell the company or person how to get the job done. And being able to describe your editing style is also something that you should feel comfortable doing and if you don’t know how to answer that, then take a step back and evaluate your work some.

  2. Have your SOOC pretty consistent and streamlined.

    This goes along with the above. But we do think it’s worth mentioning, that it has been our experience, that even when you feel pretty good about your SOOC shots, once you start to outsource, we can almost promise you that they will get even better, consistent if you will. It just kind of happens that way.

  3. Evaluate your time.

    This next piece is up to interpretation as each of our lives are filled very differently. But you need to evaluate how much of your time is consumed and if that’s at a level that you’re wanting it to be, maybe you’d like another hour per day to spend with your family. Have you run out of hours in your day? It’s time to asses when the number of sessions is

    a) consistent
    b) at a point where you have run out of time to ‘do-it-all.’

  4.  Maybe you don’t enjoy editing!

    Well this one may throw you off, but if you’ve got your style figured out and you’re rocking your SOOC; maybe you’re not a ‘professional’ maybe you’re shooting for YOU! But just like that other photographer, your time is precious and maybe, just maybe, you don’t enjoy the editing. Yes, I think even as a hobbyist, choosing to outsource is totally reasonable and ok!

    Now do you need all four steps checked off the list to decide to outsource? Absolutely not. We think 1 & 2 are essential to make the switch but then I think you either fall in category 3 or 4, not necessarily both.
    Outsourcing shouldn’t be a big scary word that you avoid, and it shouldn’t be something you take lightly either, but it is something that should make you happy. At the end of the day you should feel good about your choice, own it and start doing all those other things you could be doing with your time and business.

Background color change- BEFORE & AFTER

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Step 1: open up your Photoshop and the picture you want to change the background colour.

Step 2: click the quick selection tool here and use that tool to select the person. if the selection goes out of the person, subtract the selection using this  you can find it at the top of Photoshop

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Step 3: after that, at the top of photoshop click refine edge. here

this should pop up.

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click the smart radius. after that adjust the radius. mess around with it. after you’ve finish click ok.

Step 4: right click on the picture, select inverse like this  after that click layer>new fill layer>solid color. like this

Step 5:  After that simply click ok without doing anything. After you click ok. this will pop up.

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Step 6:  Choose any solid colour you want to fill your background. after you’ve finish click ok.

Step 7:  you’re done! click ‘save’ or ‘save as’.  make sure that you change the format into JPEG.

How to Take Gorgeous Product Photos

The way you present your products online has a significant impact on sales. Amateur-looking product shots erode consumers’ trust and could send them fleeing. Fortunately, you don’t need to spend $10,000 on equipment or hire a professional to create beautiful product photography that will instill faith in your online store and get results.

In this article, I’ll show you, in eight simple steps, how to save money on product photography and improve your store’s look and performance.

1. Camera

It’s important to use a nice camera. Fortunately, they have become very affordable. You can’t go wrong with a modern digital single-lens reflex (DSLR) model. I prefer the Nikon D7000 in terms of its price vs. performance tradeoff. Be sure to choose a camera that can capture video, and invest in decent lenses. I normally use a 50mm lens — here’s an example — which can accommodate mid-range and portrait work. A 105mm lens — here’s one from Adorama — while a bit expensive, is great for close-up work and jewelry product photography.

Although it used to be that having a DSLR was necessary for taking quality product photographs, smartphones have dramatically changed the game. The iPhone 5 has an 8-megapixel sensor and can produce professional grade shots. It’s received glowing reviews, like this one from The Sydney Morning Herald. I strongly encourage you to explore using your smartphone after you have the proper setup before committing to purchasing a higher-end camera. You may be surprised.

2. Lights

You will need some good lights. Of course, Mother Nature has a built-in option, which can produce great results. But the Sun is fickle. I like the Elinchrom D-Lite 4 Kit, which includes two lights, tripods, and attachable diffuser squares. While there are many photography lighting kits available, what’s most important for your setup is to get lights that operate in “continuous” mode — versus flash only — as this allows using them for video as well. In fact, I prefer to shoot even still photographs with my lights in continuous mode as I find this makes previewing the shot easier and adds depth to the result.

3. Tripod

You need to take longer exposures; holding your camera by hand will produce blurry images that shoppers will not like. I prefer Manfrotto tripod products. There are also some very functional tripods for smartphones such as the Woxom Slingshot.

4. Photo Setup

I like to shoot products in front of a continuous background — often white or neutral grey. It’s a simple and professional look that is often used by major online retailers. Fortunately, it’s simple to achieve.

Just purchase a few rolls of craft paper and some metal clamps. Roll the craft paper down a long and wide table and use the clamps to attach one end of the paper to something a few feet above the table. This will produce a smooth ramp. Place your product on the craft paper just after it comes into contact with the table.

Place your setup near a big, sunny window if you want natural light, or in a dark room if you want to use your photo lights. For about $50 you have a professional studio like my setup below. If you’re looking for a ready-made setup, Modahaus carries a good line of all-in-one tabletop photography studios.

5. Use a Wide Aperture

The aperture is the opening that lets light into your camera and is specified by an “f-number” like “f/16” or “f/4”. A wide aperture (small f-number) produces a narrow depth of field that makes your photos look richer and more professional. I’ve found that shooting with a narrow depth of field works particularly well for product photos of electronics. Set the aperture on your DSLR to something like “f/1.8” or “f/2”. You will need to have your camera in “aperture priority” mode to do this. Check your manual.

These images below are from my iPad app, “Bokeh: A Book About Cameras.” The images illustrate the effect of a camera’s aperture on the final shot. The image on the left was captured with a wide aperture and has a narrow depth of field. The image on the right was from a narrow aperture and has a wide depth of field. In short, use a wide aperture to produce product photos with a more professional look.

6. Pay Attention to Shadows

Avoid harsh backlighting and other setups that cast shadows on the surface of the object. Keep the lights on the same side of the object as your camera, or slightly off to one side.

7. Clean Up

A big fingerprint on your product or dust on your lens produce poor, amateur results. Buy some microfiber rags and wipe everything down carefully before shooting.

8. Don’t be Afraid

The biggest obstacle to doing something new is often ourselves. Don’t be afraid to experiment. Be creative. You will make a few mistakes on your way to gaining a deeper understanding of the process. Not only will your sales increase, you will likely develop a new hobby along the way. When you’re ready to delve deeper there are many wonderful books. I like The Art of Photography, by Bruce Barnbaum.

Summary

You are well on your way to having an outstanding photography studio. Your product photos will appear as if you spent thousands on them. But really you did it all yourself.